Illustrated Chinese Fiction

In today’s post, I’ll briefly discuss late imperial fiction (xiao shuo 小說). These are very much ‘notes from the field’ based on my encounters wiht only a handful of these. I have many more questions than answers about vernacular novels.

Images

For historians of the book, one of the notable characteristics of late imperial vernacular fiction is the inclusion of images. Images were part of Chinese books from the inception of Chinese printing, but illustrated books were not nearly as common in Ming and Qing China as they were in other parts of the world.

Literary fiction, however, seems to have been illustrated from the very beginning.

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A Quick curriculum for Chinese book history

A quick syllabus with my blogs

Do you want to do an East Asia in print day? Well, I think you can do it with my blog and a few other digital resources:

Here’s how I would begin:

First, read a little bit about paper – this will let you get talking about comparative materiality early on

Then, pop over to this page for an introduction to the earliest printed book

http://www.historyofinformation.com/detail.php?id=207

Read about early bindings:

http://idp.bl.uk/education/bookbinding/bookbinding.a4d

Now read about woodblocks after seeing someone in Chengdu printing with one:

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Online teaching with non-Western Materials (Medieval + color printing)

Medieval book/ Bindings / Printing  

The International Dunhuang Project is a massive digital repository of scanned materials dating to the 4th – 11th centuries. These materials were discovered when a cave was opened by a Daoist priest in the oasis town of Dunuang in West China in 1900. A number of Western and East Asian explorers rushed to Dunhuang to buy materials, despite the protests of the Qing government.

The Dunhuang Project website has several useful introductions to materiality. The link below brings you to an essay on “Bindings” these bindings include images which link to fully scanned texts.

http://idp.bl.uk/education/bookbinding/bookbinding.a4d

I think that this could very easily be used in any courses on the materiality of texts.

If you want to dig deeper, there are lots of things you can do with these Dunhaung materials. I use our two Dunhuang scrolls at UCLA regularly to make points about:

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